Korg Triton Studio Uživatelský manuál

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ProgramCombinationSequencerSamplingSong PlayGlobalDiskEffectAppendicesxi9. Appendices . . . . . . . . . . . . .241Alternate Modulation Source (AMS)...

89Sampling P0 P1 P2 P3 P4 P5 P8You can also select an index by holding down the [ENTER] key and playing a note on the keyboard. The index that include

90or “Insert” to open the dialog box. So that a new index can be created at the left of index 1, re-set the “Top Key” setting, and press the OK button

91Sampling P0 P1 P2 P3 P4 P5 P8For example if Slot 1 contains the factory-installed 16 Mbyte SIMM, and you have installed a 32 Mbyte SIMM in Slot 2 an

920–1d:Recording Level [dB]Recording Level [–inf, –72.0... 0.0...+18.0]This adjusts the signal level at the final stage of sampling. When you sample, m

93Sampling P0 P1 P2 P3 P4 P5 P85 To execute the Copy Sample command, press the OK button. To cancel, press the Cancel button.0–1C: Rename SampleThis c

94However by executing the “Convert MS To Program” com-mand, you can quickly and easily convert the Sampling mode settings into a new program, without

95Sampling P0 P1 P2 P3 P4 P5 P8• The stereo sample that was created will be assigned automatically.0–1J: Keyboard DisplayThis command selects the rang

96Example)If data already exists at the move destination multisam-ple number, the multisample will not be overwritten; instead, all subsequent multisa

97Sampling P0 P1 P2 P3 P4 P5 P8If the CDRW-1 option is installed, you can use P5: Audio CD to play back an audio CD. In this case as well, the audio w

98Metronome Precount [Off, 4, 8, 3, 6]Specifies whether the metronome will sound a countdown when you use “Trigger” Sampling START SW to begin sampling

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99Sampling P0 P1 P2 P3 P4 P5 P80–3a: Create Zone PreferenceThese settings define the initial state of the indexes that are created when you press the C

100Here you can edit sample data (waveform data). Editing operations such as deleting unwanted portions of the wave-form, reversing the waveform, or l

101Sampling P0 P1 P2 P3 P4 P5 P8For example if you change the sample address by one, the vertical line in the LCD that indicates the sample address wi

102End: The sample data that lies after the “Edit Range End” will be deleted.5 In “Save to No.,” specify the save destination sample number. By defaul

103Sampling P0 P1 P2 P3 P4 P5 P82 Select “Insert” to access the dialog box.3 To “Start” will indicate the starting address at which the data will be i

1041 Use “Sample Select” (1–1b) to select the sample that you wish to edit, and set “Edit Range Start” to specify the starting address. The “Edit Rang

105Sampling P0 P1 P2 P3 P4 P5 P85 In “Curve,” specify the way in which the volume will change.Linear: The volume will change linearly. For normal fade

1064 In “Resolution,” select the desired resolution for the grid. The grid that appears will be determined by this setting and by the “Grid” (1–1c, 2–

107Sampling P0 P1 P2 P3 P4 P5 P8The sample number cannot be specified if “Overwrite” is checked (☞p.101). For stereo samples, use “Save to No.(L)” and

1082-1c: Sample waveform display, Start, LoopS, End, Loop, Rev, +12 dB, Loop Lock, Loop Tune, Use Zero, Grid, ZOOMSample waveform displayThe waveform

Program P0 P1 P2 P3 P4 P5 P7 P8 P911. Program modeIn this mode you can select and play programs.All MIDI data in Program P0: Play is transmitted and r

109Sampling P0 P1 P2 P3 P4 P5 P8▼ 2–1: Page Menu CommandFor these commands, no Compare function is available that would let you return to the prior st

110As an alternative to the “Time Slice” command, “Time Stretch” (☞2–1C) is another way to change the tempo of a rhythm loop or similar sample. You ma

111Sampling P0 P1 P2 P3 P4 P5 P8Sample waveform display: This displays a dotted verti-cal line at the locations where the sample was sliced, and a sol

1129 Use Time Stretch to adjust the length of the sliced sam-ples. When you press the Stretch button, Time Stretch (a function that expands or shrinks

113Sampling P0 P1 P2 P3 P4 P5 P8In some cases, the sample End address setting etc. may increase the number of measures in the pattern, so that it no l

114lated according to the length from the start address to the end address (if loop is off) or from the loop start address to the end address (if loop

115Sampling P0 P1 P2 P3 P4 P5 P8Time Stretch requires vacant samples, multisamples, and relative parameters in order to execute. Before you execute, m

116Sample waveform display: This displays the waveform of the selected sample. If the “Index” is other than Result, the locations at which the sample

117Sampling P0 P1 P2 P3 P4 P5 P83 In “Crossfade Length,” specify the length of the sample that you wish to crossfade.If you set this as %, “Crossfade

118Top Key [C–1...G9]Specifies the highest key in the zone of the index. The zone is defined by this “Top Key” (☞0–1b).RangeThis shows the range of the

210’s Hold1 Press the [./10’s HOLD] key to display .The 10’s place of the program number will be held (fixed).2 Now you can press any numeric key [0]–

119Sampling P0 P1 P2 P3 P4 P5 P83–2: Preference3–2a: Create Zone PreferenceHere you can specify the default settings for indices that are created by e

1205 Press the [REALTIME CONTROLS] key to make the “B” LED light.6 Rotate knob [1], [2] and the panning of the external input sound and the delay will

121Sampling P0 P1 P2 P3 P4 P5 P85–1b: Drive, Track, IndexDrive (Drive select) [ID0...6, CDD: Name]Selects the CD-R/RW drive that contains the audio CD

122Here you can make insert effect settings for use in Sampling mode.If you want to apply insert effect IFX1–5 to the external audio signal specified b

Song Play P0 P1 P2 P3 P7 P8 P91235. Song Play modeIn Song Play mode you can load Standard MIDI Files (SMF) from floppy disk, the internal hard disk or

124Program Select (Bank/Program)[INT-A...INT-F, G, g(1)...g(9), g(d), EXB-A...EXB-G]Selects the program that will be used by each track.The lower line

125Song Play P0 P1 P2 P3 P7 P8 P90–1D: Save Template SongThis command saves the programs, the track parameters, and the effect settings etc. as a user

126For each track, you can specify the status of the internal tone generator and the scale.1–1: Status 1–8 (Status/Scale T01–08)1–2: Status 9–16 (Stat

127Song Play P0 P1 P2 P3 P7 P8 P9Specifies the functions that the [SW1] key, [SW2] key, and the B-mode functions of the REALTIME CONTROL knobs [1]–[4]

128The contents of this display will depend on the “Jukebox” (0–1a) setting.Off (unchecked): “3–1: Select Directory” will be displayed.On (checked): “

Program P0 P1 P2 P3 P4 P5 P7 P8 P93IFX Balance [–10...0...+10]This adjusts the “Wet/Dry” setting of insert effects 1–5 as a whole.With an adjustment o

129Song Play P0 P1 P2 P3 P7 P8 P9▼ 3–1: Page Menu Command3–1A: Load Jukebox ListThis command loads the jukebox list that you wish to use.1 In the dire

130If tracks 1–16 to which arpeggiator A or B are assigned have a track “Status” (1–1a/2a) of either INT or BTH, they will be played by note data gene

131Song Play P0 P1 P2 P3 P7 P8 P97–5b: Scan Zone A/BA:Top Key [C–1...G9]Bottom Key [C–1...G9]Specify the range of notes (keys) that will trigger arpeg

132Send1 (MFX1) [000...127]Send2 (MFX2) [000...127]Specify the send levels from tracks 1–16 to master effects 1 and 2. This is valid when “BUS Select”

133Song Play P0 P1 P2 P3 P7 P8 P9☞ For details on the master effects, refer to p.182 “8. Effect Guide.”9–1: Master FXHere you can select the type of e

134

Global P0 P1 P2 P3 P4 P5 P61356. Global modeIn Global mode you can make settings that affect the entire instrument, such as master tuning, MIDI, and m

136you wish to make the notes more consistent. However with this curve, control of softly-played notes will be more diffi-cult, so use the curve that i

137Global P0 P1 P2 P3 P4 P5 P60–1B: Change all bank referencesThis command changes all program banks specified for tim-bres in combinations or tracks o

138Power On Mode [Reset, Memorize]Specifies the condition at power-on.Reset: The TRITON STUDIO will be in Combination mode P0: Play, and Combination A0

40–3: SamplingHere you can adjust the settings for the analog/digital audio signal input (AUDIO INPUT, S/P DIF, EXB-mLAN), and the settings related to

139Global P0 P1 P2 P3 P4 P5 P6When this setting is at Normal, the WAVE file playback level on the TRITON STUDIO is set approximately 12 dB lower than t

140S/P DIF: The digital audio output from an instrument or DAT etc. connected to the S/P DIF jack will be input to the TRITON STUDIO. Use Input1 (belo

141Global P0 P1 P2 P3 P4 P5 P6Auto: The word clock master/slave setting will be made automatically.Manual: The TRITON STUDIO will be the word clock ma

142Module, Nickname, PlugThis area displays the module name, nickname, and plug name of the currently-connected input sources.ConnectThis button conne

143Global P0 P1 P2 P3 P4 P5 P6Unchecked (Local Control Off): The TRITON STUDIO’s keyboard and joystick etc. will be disconnected from the internal ton

144Use this setting if receiving these messages from an external MIDI sequencer would cause the song settings of the TRITON STUDIO to be unwantedly re

145Global P0 P1 P2 P3 P4 P5 P6TransmissionDo not touch the TRITON STUDIO’s switches or turn off the power while data is being transmitted.Data dump tr

146the same global MIDI channel that was used when the data was transmitted.To set the MIDI channel of the transmitting device, refer to the owner’s m

147Global P0 P1 P2 P3 P4 P5 P63–1b: User All Notes ScaleTune [–99…+99]Makes independent pitch settings for each of the 128 notes.Adjust the pitch of e

148Here you can create drum kits by assigning a drum instru-ment (drum sample) to each key.A drum kit that you create or edit here can be selected in

Program P0 P1 P2 P3 P4 P5 P7 P8 P95Metronome Precount [Off, 4, 8, 3, 6]This specifies whether the metronome will sound a count-down when you begin samp

149Global P0 P1 P2 P3 P4 P5 P6(☞”VNL”)RAM: Selects samples that you created in the Sampling mode, or that were loaded into the TRITON STUDIO in the Di

150S.Offset (Start Offset) [Off, On]Rev (Reverse) [Off, On]Level [–99...+99]Transpose [–64...+63]Tune [–99...+99]Cutoff (Filter-Cutoff) [–64...+63]Res

151Global P0 P1 P2 P3 P4 P5 P6Enable Note Off Receive [Off, On]On (checked): Note-off messages will be received. Normally you will uncheck this. This

1526–1a: Arpeggio Select, , Pattern, Length, Octave, Resolution, Sort, Latch, Key Sync., KeyboardArpeggio Select [A, B]If you have moved here from C

153Global P0 P1 P2 P3 P4 P5 P6Example)We will use a “Arpeggio Tone Mode” Fixed Note pattern on drums. Tone 1 is assigned a note number that will sound

154Velocity [001...127, Key]Key: The Tone of the step will sound with the velocity at which the key was played.001–127: The specified velocity value wi

0-10-20-30-40-50-6Disk1557. Disk modeIn this mode, you can save and load various types of inter-nal memory data to and from a floppy disk, the internal

156.JKB files cannot be loaded or saved in Disk mode – only in Song Play mode.When TRITON STUDIO data is saved, one of these filename extensions will be

1570-10-20-30-40-50-6Disk0–1d: Open button, Up buttonOpen buttonWhen you press the Open button, the directory will open, and the current directory wil

158If data of the specified bank is completely absent from the .PCG file, an error of “No readable data” will be dis-played, and the load operation will

6The “Auto +12 dB On” setting will not affect samples that you recorded to the internal hard disk etc. when “Save to” (0–3b) is set to DISK. You can u

1590-10-20-30-40-50-6Disk3) Load Program Bank [Bank I-A...I-E, Bank E-A...E-G]: selected iconAll program data of the selected bank will be loaded into

160The selected drum kit can be played from the keyboard even before you load it. This is convenient when you want to audition the drum kit to be load

1610-10-20-30-40-50-6Disk17) Load a Song: selected iconData for the selected song will be loaded into the song num-ber you specified as the load desti

162Loading sample dataThe paragraphs 22) Load .KSC, 23) Load .KMP, and 24) Load .KSF which follow explain how Korg format PCM data files are loaded int

1630-10-20-30-40-50-6Disk22) Load .KSC: selected iconThe .KMP files and .KSF files listed in the .KSC file will be loaded as multisamples and samples re

16426) Load .WAV: selected iconThe selected WAVE file will be loaded as a sample.1 To load the data, press the OK button. To cancel without loading, p

1650-10-20-30-40-50-6DiskLoading KCD files29) Load .KCDThe selected .KCD file will be loaded.1 Press the OK button to load, or press the Cancel button t

166If the data being saved does not fit on one volume of mediaWhen saving a .PCG, .KSC, .KMP, or .KSF file, and the data does not fit on a single floppy d

1670-10-20-30-40-50-6Disk0–2C: Save PCGThis command saves all internal memory programs, combi-nations, drum kits, user arpeggio patterns, and global s

1682 In “Song,” so the song that you wish to save.3 Use the text edit button to access the text input dialog box, and specify the filename. By default,

Program P0 P1 P2 P3 P4 P5 P7 P8 P970–3D: Select DirectoryThis lets you select the disk (internal hard disk, etc.) and directory on which the WAVE file

1690-10-20-30-40-50-6Disk5 To export the data, press the OK button. To cancel with-out exporting, press the Cancel button.0–2l: Save Audio CD Track Li

1703 “Copy” will show the name of the selected file or direc-tory.If you wish to change the file or directory that will be copied, use the text edit but

1710-10-20-30-40-50-6Disk5 Specify the initialization format. Normally you should use Quick Format to initialize the disk, and use Full For-mat if an

172If the CDRW-1 option is installed, or if a CD-R/RW drive is connected as an external SCSI device, you can create an audio CD in Disk mode.Performan

1730-10-20-30-40-50-6DiskIf you select a 44.1 kHz or 48 kHz WAVE file, you can press the SAMPLING [START/STOP] key to play it back. In this case, the l

1742 Select “Finalize Audio CD” to access the dialog box.3 Press the OK button to execute the Finalize command, or press the Cancel button to cancel w

1750-10-20-30-40-50-6DiskSince some CD-R/RW drives do not support this, the volume may not change when you adjust this setting.0–5b: InputInput [Analo

176▼ 0–6: Page Menu Command0–6A: Scan SCSI deviceThis command allows you to re-mount a connected SCSI device.1 Select “Scan SCSI device.”The currently

Effect1778. Effect GuideThe effects section of the TRITON STUDIO consists of five Insert Effects, two Master Effects, a stereo, three band Mas-ter EQ,

178The TRITON STUDIO does not have an input level meter to detect the effect input level. If the input level is too low, the S/N ratio may decrease. O

8When legato is on, multiple note-on message will not retrig-ger the voice. If one note is already on and another note is turned on, the oscillator so

179Effect2. RoutingYou can use up to five channels (IFX 1, 2, 3, 4, and 5) for the Insert Effects in any mode.2–1. Program modeUse “BUS Select” (Progra

180— Settings for drum Programs —If a drum Program (“Oscillator Mode” Drums) is selected for timbres in Combination mode and for tracks in Sequencer m

181EffectIf you want to play back an audio CD without applying the TRITON STUDIO’s effects, set “Input” Analog set-tings for Input1 to “Level” 127, “P

1824. Controlling the Insert Effects via MIDIUsing the Dynamic Modulation (Dmod) function enables you to control all effect parameters in real-time du

183Effect2. RoutingYou can use up to two channels (MFX1 and 2) for the Master Effects in any mode other than in Sampling mode. (You can-not use the Ma

184this time, the actual send levels use these Send 1 and 2 val-ues multiplied by the Send1 and 2 settings for Program oscillators 1 and 2.)If drum Pr

185Effect3–3. Chain DirectionIf you have checked the “Chain” box, you can set the direc-tion of the connection here. You can also visually confirm the

186Program modeCombination mode, Sequencer mode, Song Play mode, Disk modeSampling modeEffect/Mixer Block DiagramPan Oscillator 1Send1Select from:L/

Effect187Filter and dynamics control effects000: No EffectSelect this option when you do not use any effects. The Insert Effect section outputs unproc

188a: Envelope SelectWhen L/R Mix is selected for this parameter, the left and right channels are linked to control the Limiter using the mixed signal

iii This “Parameter Guide” contains explanations and other information regarding the operations of the parameters and settings on the TRITON STUDIO

Program P0 P1 P2 P3 P4 P5 P7 P8 P991–2: OSC BasicThe multisample(s) (waveform) or drum kit on which the program will be based can be selected here for

Effect189e: Low Offset [dB], f: Mid Offset [dB], g: High Offset [dB]These parameters set the gain of the trigger signal.For example, if you do not wan

190a: WahThe Wah parameter switches the wah effect on/off.a: SwThis parameter sets how the wah effect is switched on and off via the modulation source

Effect191d: Band2 Dynamic Gain Src, d: Amt [dB], f: Gain [dB]You can control the gain of Band 2 using the modulation source.008: St. Graphic 7EQ (Ster

192a: Frequency Bottom, a: Frequency TopThe sweep width and direction of the wah filter are determined by the “Frequency Top” and “Frequency Bottom” se

Effect193When “LFO Waveform” is set to Random, the “LFO Step Freq” parameter uses a random LFO cycle.b: LFO Phase [degree]Offsetting the left and righ

194a: OSC Mode, b: Note Interval, b: Note FineThe “OSC Mode” parameter selects the oscillator operation mode. When Note (Key Follow) is selected, the

Effect195014: Stereo DecimatorThis effect creates a rough sound like a cheap sampler by low-ering the sampling frequency and data bit length. You can

196Pitch/phase modulation effects016: Stereo ChorusThis effect adds thickness and warmth to the sound by modu-lating the delay time of the input signa

Effect197g: High/Low Split PointThis parameter sets the frequency that splits the high and low range. Only the high range will be sent to the chorus b

198020: Stereo FlangerThis effect gives a significant swell and movement of pitch to the sound. It is more effective when applied to a sound with a lot

10Lvl (High Level) [000…127]Specifies the level of the multisample.Depending on the multisample, high settings of this parameter may cause the sound to

Effect199022: St. Env. Flanger(Stereo Envelope Flanger)This Flanger uses an envelope generator for modulation. You will obtain the same pattern of flan

200024: St. Random Phaser (Stereo Random Phaser)This is a stereo phaser. The effect uses a step-shape waveform and random LFO for modulation, creating

Effect201026: St. Biphase Mod. (Stereo Biphase Modulation)This stereo chorus effect adds two different LFOs together. You can set the Frequency and De

202“AUTOFADE Src”=Gate1, “LFO Frequency [Hz]”=1.0“LFO Frequency Mod”=AUTOFADE, “Amt”=3.0The effect is off when a value for the dynamic modulation sour

Effect203a: Control Mode, e: Voice1: Resonance, h: Voice2: ResonanceThis parameter determines the resonance intensity.When “Control Mode” = Manual, th

204031: ScratchThis effect is applied by recording the input signal and mov-ing the modulation source. It simulates the sound of scratches you can mak

Effect205Other modulation and pitch shift effects032: Stereo TremoloThis effect modulates the volume level of the input signal. The effect is stereo,

206“Depth”=100, “Envelope Amount”=–100034: Stereo Auto PanThis Auto Pan effect pans sound between left and right. It is stereo, and shifting the left

Effect207a: Type, a: LFO Phase [degree]Select the type of phaser LFO and tremolo LFO for the “Type” parameter. How the effect sound moves or rotates d

208037: DetuneUsing this effect, you can obtain a detune effect that offsets the pitch of the effect sound slightly from the pitch of the input signal

Program P0 P1 P2 P3 P4 P5 P7 P8 P911These settings are made for the selected multisample. If another oscillator or program uses that multisample, that

Effect209039: Pitch Shift Mod. (Pitch Shift Modulation)This effect modulates the detuned pitch shift amount using an LFO, adding a clear spread and wi

210When “Sw” = Moment, the speaker is rotating. It stops only when you press the pedal or operate the joystick.Rotation will occur when the value of t

Effect211042: Auto ReverseThis effect records the input signal and automatically plays it in reverse (the effect is similar to a tape reverse sound).a

212044: Stereo/Cross DelayThis is a stereo delay, and can by used as a cross-feedback delay effect in which the delay sounds cross over between the le

Effect213046: St. Modulation Delay (Stereo Modulation Delay)This stereo delay uses an LFO to sweep the delay time. The pitch also varies. You will obt

214a: Control TargetThis parameter selects no level control, delay output control (effect balance), or feedback amount control.a: Polarity, b: Thresho

Effect215a: BPM, b: L Delay Base Note, b: Times, c: C Delay Base Note,c: Times, d: R Delay Base Note, d: TimesThe delay time is the length of the note

216a: BPM, b: Rhythm PatternWith the tempo specified by the “BPM” parameter (or the MIDI Clock tempo if “BPM” is set to MIDI), the length of one beat e

Effect217056: Reverb RoomThis room-type reverb emphasizes the early reflections that make the sound tighter. Changing the balance between the early refl

218059: P4EQ – Wah(Parametric 4-Band EQ – Wah/Auto Wah)This effect combines a mono-type four-band parametric equalizer and a wah. You can change the o

121–4: Controller (Controller Setup)These settings specify the functions of the [SW1] key, the [SW2] key, and the B-mode functions of REALTIME CON-TRO

Effect219061: P4EQ – Phaser (Parametric 4-Band EQ – Phaser)This effect combines a mono-type four-band parametric equalizer and a phaser.062: P4EQ – Mt

220063: Comp – Wah(Compressor – Wah/Auto Wah)This effect combines a mono-type compressor and a wah. You can change the order of the connection.064: Co

Effect221066: Comp – Param4EQ(Compressor – Parametric 4-Band EQ)This effect combines a mono-type compressor and a four-band parametric equalizer. You

222h: Output Mode, i: RoutingWhen Wet Invert is selected, the right channel phase of the cho-rus/flanger effect sound is inverted. This creates pseudo-

Effect223070: Limiter – P4EQ(Limiter – Parametric 4-Band EQ)This effect combines a mono-type limiter and a four-band parametric equalizer. You can cha

224072: Limiter – PhaserThis effect combines a mono-type limiter and a phaser. You can change the order of the effect connection.073: Limiter – Mt. De

Effect225074: Exciter – Comp (Exciter – Compressor)This effect combines a mono-type exciter and a compressor. You can change the order of the effect c

226077: Exciter – PhaserThis effect combines a mono-type limiter and a phaser.078: Exciter – Mt. Delay(Exciter – Multitap Delay)This effect combines a

Effect227079: OD/HG – Amp Sim(Overdrive/Hi.Gain – Amp Simulation)This effect combines a mono-type overdrive/high-gain dis-tortion and an amp simulatio

228081: OD/HG – Phaser(Overdrive/Hi.Gain – Phaser)This effect combines a mono-type overdrive/high-gain dis-tortion and a phaser. You can change the or

Program P0 P1 P2 P3 P4 P5 P7 P8 P913JS (+X) [–60…+12]Specifies in semitone units how the pitch will change when the joystick is moved all the way to th

Effect229083: Wah – Amp Sim(Wah/Auto Wah – Amp Simulation)This effect combines a mono-type wah and an amp simula-tion. You can change the order of the

230086: Amp Sim – Tremolo(Amp Simulation – Tremolo)This effect combines a mono-type amp simulation and a trem-olo.087: Cho/Flng – Mt. Dly(Chorus/Flang

Effect231088: Phaser – Cho/Flng(Phaser – Chorus/Flanger)This effect combines a mono-type phaser and a chorus/flanger.089: Reverb – GateThis effect comb

232Double-size effects(Available for Insert Effects IFX2, 3, and 4)090: Piano Body/Damper (Piano Body/Damper Simulation)This effect simulates the reso

Effect233093: VocoderThis effect applies the character of the right channel signal (Modulator) to the left channel signal input (Carrier). A com-mon u

234094: Multitap Cho/Delay(Multitap Chorus/Delay)This effect has six chorus blocks with different LFO phases. You can produce a complex stereo image b

Effect235b: L/R PitchWhen you select Up/Down for this parameter, the pitch shift amount for the right channel will be reversed. If the pitch shift amo

236097: Early ReflectionsThis early reflection effect has more precise early reflections with twice the maximum length of a normal-size effect (Fx:041).

Effect237100: LCR BPM Long Dly(L/C/R BPM Long Delay)The L/C/R delay enables you to match the delay time with the song tempo. You can set the delay tim

238a: Time Over? L >, a: R >You can set the delay time up to 1365msec. If the delay time exceeds this limit, the error message “OVER!!” appears

14The “LFO1 Intensity,” “JS+Y (LFO1 JS+Y Int.)” and “AMS (LFO1 AMS)” settings will be added to determine the depth and direction of the pitch modulati

Effect239Master EQUse P9: Master EQ in Program, Combination, Sequencer, and Song Play modes.You cannot use the Master EQ in Sampling mode.You cannot u

240

Appendices2419. AppendicesAbout Alternate ModulationAlternate Modulation can be specified for the following 29 types, in total, 55 alternate modulation

242AMS (Alternate Modulation Source) ListIn the above table, the parentheses ( ) indicate the type of source that can be used for each AMS.For example

243AppendicesFlt KTrk +/+ (Filter Keyboard Track +/+)Flt KTrk +/– (Filter Keyboard Track +/–)Flt KTrk 0/+ (Filter Keyboard Track 0/+)Flt KTrk +/0 (Fil

244Alternate Modulation settingsWhen you operate an AMS (Alternate Modulation Source), the modulation destination will be affected as shown in the tab

245Appendices• If you select the same controller as an “AMS” and set separate intensities for Filter A (Low Pass Filter) “Intensity” and Filter B (Hig

246EG Level - Pitch EG (Program P2: 2–3b)Filter EG (Program P3: 3–4b)Amp EG (Program P4: 4–3b)EG levels can be controlled by keyboard tracking, contro

247AppendicesDynamic Modulation Source ListGate1, Gate1+Dmpr (Gate1+Damper)The effect is at maximum during note-on, and will stop when all keys are re

248Moving the knob to the 12 o’clock position will produce a effect of 0 as the dynamic modulation source. If “Amt” is a positive (+) value, rotating

Program P0 P1 P2 P3 P4 P5 P7 P8 P915St (AMS1 SW Start) [–, 0, +]Specifies the direction of change in “Start (Start Level)” caused by “AMS1 (Level Mod.

249AppendicesThe following functions can be assigned to the [SW1] or [SW2] keys.Set the “Panel Switch Assign” parameters in each mode to make these as

250The following functions can be assigned to the REALTIME CONTROLS [1]-[4] knobs in B-mode.Set the “Realtime Control Knobs B-Assign” parameters in ea

251AppendicesThe A-mode functions of the REALTIME CONTROLS are fixed.Knob1-A: LPF CUTOFF (Filter LPF Cutoff: CC#74)Control the low pass filter cutoff fr

252You can assign the function that will be controlled by an assignable pedal (Korg XVP-10 or EXP-2 option) connected to the ASSIGNABLE PEDAL jack.• T

253AppendicesThe following table shows the relation between the MIDI messages that are transmitted when the TRITON STUDIO’s controllers are operated,

254Program modeWhen one of the TRITON STUDIO’s controllers is operated, a control change message will be transmitted on the global MIDI channel (“MIDI

255AppendicesThe following table shows the operations that the TRITON STUDIO will perform when control change messages are received, and the relation

256*1On the TRITON STUDIO’s sequencer, bank select mes-sages are normally specified as a program change event (“Event Edit” Sequencer P5: 5–1B). Howeve

257AppendicesCC#77: LFO1 depth (pitch LFO1 intensity)Corresponds to “Pitch LFO1 Intensity” (Program P2: OSC1/2 P.Mod page).CC#78: LFO1 delayCorrespond

258 About MIDIMIDI stands for Musical Instrument Digital Interface, and is a world-wide standard for exchanging various types of musical data between

16Here you can make settings for the filters that will be used by oscillators 1 and 2. You can select either a 24 dB/octave low pass filter with resonan

259AppendicesConnecting an external MIDI sequencer or computer etc.You can play the TRITON STUDIO’s keyboard and record your performance on an externa

260is running, note-on/off messages will be transmitted by the arpeggiator. (If Local Control is off, the arpeggiator will not transmit note-on/off da

261Appendices• In Combination and Sequencer modes, the P3: MIDI Filter settings allow transmission/reception of control changes to be individually tur

262• When you set the “Pan” (Sequencer/Song Play P0: 0–3a/4a) in Sequencer mode or Song Play mode, or when you re-select the song or return to the beg

263Appendices• In Combination and Sequencer modes, transmission/reception of these messages can be turned on/off independently for each timbre/track (

2642 Use data entry MSB (CC#6) [Bn, 06, mm] and data entry LSB (CC#38) [Bn, 26, vv] (n: channel, mm, vv: upper and lower bytes of the value, together

265AppendicesUniversal system exclusiveCertain of the system exclusive messages are publicly defined for a specific use, and these are called universal

266When you change programs or combinations, or use param-eter changes to edit, the changes will affect the data in the edit buffer and will not be st

267Appendicesincoming musical data will simply be recorded, this method allows the performance to be reproduced faithfully, but since measure division

268Support for GS/XG part mode exclusive messages• In Song Play mode when GS/XG part mode exclusive messages Drum or MDrm 1–4 are received, bank g(d)

Program P0 P1 P2 P3 P4 P5 P7 P8 P917▼ 3–1: Page Menu Command☞ 0–1A: Write Program, 1–1A: Copy Oscillator, 1–1B: Swap Oscillator3–2: Filter1 Mod.Here y

Appendices269TRITON STUDIO MIDI IMPLEMENTATIONTRITON STUDIO MIDI IMPLEMENTATION 12,Oct,2001Consult your local Korg dealer fo

2702.RECOGNIZED RECEIVE DATA2-1 CHANNEL MESSAGES [H] :Hex, [D] :Decimal Status Second |

Appendices271*4 : r = 0 : Pitch Bend Sensitivity ( Bend Range ) = 1 : Fine Tune ( Detune ) = 2 : Coarse Tune ( Tr

272AAlready connectedAre you sure ?BBattery voltage for Calender IC is lowBuffer overrun error occurredBuffer underrun error occurredCCan’t calibrateC

Appendices273Destination sample already existsDestination sample data used in source sampleCan’t overwriteDestination sample is emptyDestination song

274File/path not foundFront sample data used in rear sample Can’t overwriteIIllegal file descriptionIllegal mLAN messageIllegal SMF dataIllegal SMF div

Appendices275Memory fullMemory overflowMemory protectedMIDI data receiving errorMultisample L and R are identicalNNo connectionNo dataNo mediumNo nodeN

276Not enough memory to loadNot enough memory to open patternNot enough multisample memoryNot enough relative parameter memoryNot enough sample memory

Appendices277Root directory is fullSSample data used in other sample(s) Continue ?Sample L and R are identicalSample length is shorter than minimumSa

278There is no plugThere is no readable dataThis file is already loadedTrack is fullUUnable to create directoryUnable to save fileWWord Clock Error !YY

18ters (3–4a) are in the “+” area, and darker when they are in the “–” area.With negative (–) settings, the sound will become darker when the EG level

Appendices279In its various data formats, the TRITON STUDIO maintains data compatibility with the TRITON/TRITON pro/TRITON proX and TRITON-Rack. Data

280[2] Parameters that are valid on the TRITON-Rack but invalid on the TRI-TON STUDIO and TRITON2-1. Program mode Audition Riff and Transpose settings

Appendices281[3] Parameters that are valid on the TRITON STUDIO and TRITON but invalid on the TRITON-Rack3-1. Global mode parameters of the TRITON STU

282[4] Parameters that are valid on the TRITON but invalid on the TRITON STUDIO or TRITON-Rack4-1. Global mode parameters of the TRITONPC I/F Baud Rat

Appendices283Chunks that are supportedWhen loadingAIFF filesWhen data is loaded into the TRITON STUDIO, the follow-ing four chunks are referenced: Comm

284About KORG format filesKORG format file structureThere are three types of files: .KMP files for multisamples, .KSF files for samples, and .KSC files whic

Appendices285● Sample parameter chunk● Sample data chunk• Attributes● Sample number chunk● Sample filename chunk● Divided sample parameter chunk● Divid

286Please read this before you begin installationSafety precautionsWarnings• Before installing an option, be sure to disconnect the power supply cable

Appendices287• When installing the battery, be careful not to drop it inside the device.If you drop the battery inside the device and are unable to re

288If you have any questions regarding installation, please contact your local Korg distributor.OPTIONSSIMMSlot 1...3 (** MB): SIMM’s are installed in

iv 1. Program mode. . . . . . . . . . . . .1 Program P0: Play ... 1 Select and play programs. 0–1: Perf. Edit S

Program P0 P1 P2 P3 P4 P5 P7 P8 P919Intensity to B (LFO1 AMS Int. to B) [–99…+99]Specifies the depth and direction of the effect that “AMS (LFO1 AMS)”

Appendices2894 Verify the location of the slot into which you want to install the EXB-PCM.The seven slots closest to yourself are for EXB-PCM mod-ules

290Installing a DRAM SIMMBefore you perform the installation, be sure to read the fore-going section “Safety precautions” and “Please note when instal

Appendices291Installing the EXB-MOSSBefore you perform the installation, be sure to read the fore-going section “Safety precautions” and “Please note

2920 Plug the cable into the connector as shown in the dia-gram. Press the cable firmly in until it stops.Do not touch any part of the circuit board ot

Appendices2936 Attach the cable as shown in the diagram. Firmly press the cable all the way into the connector.Do not touch any part of the circuit bo

2945 Using the three mLAN installation screws (included with the TRITON STUDIO), attach the mLAN installation plate (also included with the TRITON STU

Appendices295Press the locations indicated by the arrows until the unit clicks into place, so that the internal connector is securely connected.4 When

2962 Insert the discPlace the disc on the disc tray with its label facing upward, and centered correctly.3 Close the disc tray.Manually press the disc

Appendices297Replacing the calendar batteryBefore you replace the battery, you must read “Safety pre-cautions” and “Cautions when installing the calen

298External SCSI devices (hard disks, removable media, etc.) can be connected to the SCSI connector of the TRITON STU-DIO.Data can be saved to a conne

20At (AMS SW Attack) [–, 0, +]Specifies the direction in which “AMS (Level Mod. AMS)” will affect “Attack (Attack Level).” When “Intensity (AMS Intensi

Appendices299The TRITON STUDIO can use packet writing to write to a CD-R/RW.After formatting the media, you can use it in the same way as a floppy disk

300Also, when you execute “Rate Convert” (Global 0–3G), “Save to Std MIDI File” (Disk 0–2F) or similar com-mand to save to CD-R, the file may not be wr

Appendices301Digitally recording the sound of the TRITON STUDIO that has been mixed on a digital mixer to the ADAT1 Use an ADAT-OPTICAL cable to conne

302Numerics000: No Effect 178, 18710’s HoldCombination 33Program 212 dB 5, 6, 37, 56, 57, 99, 108, 138 ☞TempoAADC OVERLOAD !! 5, 37, 56,

303AppendicesChainIFX 30, 47, 84, 179MFX 31, 48, 184Chain Direction 31, 48, 185Chain Level 31, 48, 185Chain Signal 31, 48, 185Chain to next

304FFF/REW Speed 54Filter 16AMS 242Drum KitCutoff 149Resonance 149ProgramFilter A/B Modulation, Filter Mod. 18Filter EG 19Filter EG, Fil

305AppendicesMMaster Effect (MFX) 182MFX Balance 3MFX1 Off/MFX2 Off 136MFX1, 2Combination 48Program 31Sequencer 85Song Play 133Master EQ

306Positional Cross-fade 42Power On Mode 138Priority 8Priority to play notes 8Program 1Auto Arpeggiator 136Bank Map 137Combination 34,

307AppendicesSync.BPM/MIDI Sync. 177, 248Key Sync.Arpeggiator 152Arpeggio, Combination 36, 45Arpeggio, Program 3, 27Arpeggio, Sequencer 82Ar

308

Program P0 P1 P2 P3 P4 P5 P7 P8 P9213–5: Filter23–6: Filter2 Mod.3–7: Filter2 LFO Mod.3–8: Filter2 EG Make settings for filter 2 which controls the sou

309Appendices

310

KORG INC.15 - 12, Shimotakaido 1 - chome, Suginami-ku, Tokyo, Japan. 2002 KORG INC. 1403 FTH Printed in JapanIMPORTANT NOTICE TO CONSUMERSThis produc

22Intensity [–99…+99]Specifies the depth of the effect produced by “AMS (Pan AMS).”For example if “Pan (Amp1 Pan)” is set to C064 and “AMS (Pan AMS)” i

Program P0 P1 P2 P3 P4 P5 P7 P8 P923AMS (LFO1 AMS) [Off, (PEG, FEG, AEG, KT, EXT)]Selects a source that will control the depth by which “OSC1 LFO1” wi

24Br (AMS SW Break) [–, 0, +]Specifies the direction in which “AMS (Level Mod.AMS)” will change “Break (Break Point Level).” If “Intensity (AMS Intensi

Program P0 P1 P2 P3 P4 P5 P7 P8 P925Here you can make settings for the LFO that can be used to cyclically modulate the Pitch, Filter, and Amp of oscil

265–1c: Frequency MIDI/Tempo Sync.MIDI/Tempo Sync. [Off, On]On (checked): The LFO frequency will synchronize to the tempo (MIDI Clock). In this case,

Program P0 P1 P2 P3 P4 P5 P7 P8 P9277–1b: Arpeggiator Setup☞ Refer to BG p.130.Pattern* [P00...P04, U000(I-A/B)...U506(User)]Selects the arpeggio patt

281 Select “Copy Arpeggiator” to access the dialog box.2 In “From” specify the source of the arpeggio settings (mode, bank, number) that you wish to c

ProgramCombinationSequencerSamplingSong PlayGlobalDiskEffectAppendicesv 2. Combination mode. . . . . . . . .33 Combination P0: Play...

Program P0 P1 P2 P3 P4 P5 P7 P8 P929If you wish to adjust the pan in realtime during a note and output the sound from AUDIO OUTPUT (INDI-VIDUAL) 1/2 o

30Category/IFX Select menu:When you press the popup button, a “Category/IFX Select” list will appear. Press a tab to select a category of effects, and

Program P0 P1 P2 P3 P4 P5 P7 P8 P931☞ For details on the master effects, refer to p.182 “8. Effect Guide.”9–1: Master FXHere you can select the master

32▼ 9–1: Page Menu Command9–1A: Copy Master EffectThis command lets you copy any desired effect settings from Program, Combination, Song, Sampling, or

Combination P0 P1 P2 P3 P4 P7 P8 P9332. Combination modeIn this display page you can select and play Combinations. A Combi allows you to use up to eig

340–1b: Selected Timbre InformationThis displays information on the selected timbre (1–8).T (Timbre) [01...08]Indicates the timbre number and the bank

35Combination P0 P1 P2 P3 P4 P7 P8 P9▼ 0–1: Page Menu Command0–1A: Write CombinationThis command writes an edited combination into the TRI-TON STUDIO’

36Volume [000...127]Adjusts the volume of each timbre 1–8.The volume of each timbre is determined by multiply-ing this volume value with the MIDI volu

37Combination P0 P1 P2 P3 P4 P7 P8 P90–5b: Sampling SetupSource BUS [L/R, Indiv.1/2]Trigger [Sampling START SW, Note On]Metronome Precount [Off, 4, 8,

382–1: MIDI Channel (MIDI Ch)Here you can make MIDI settings for each timbre.2–1a: Combination Name, Selected Timbre Information, Timbre Number, Progr

vi 3. Sequencer mode . . . . . . . . . .49 Sequencer P0: Play/Rec ...49 Make settings for playing/recording a song, and

39Combination P0 P1 P2 P3 P4 P7 P8 P92–3: PitchHere you can make pitch-related settings for each timbre.2–3a: Transpose, Detune, Bend RangeTranspose [

402–4: OtherHere you can make various other settings for each timbre.2–4a: Delay, Use Program’s Scale, ScaleDelay [ms] (Delay Time) [0000…5000, KeyOff

41Combination P0 P1 P2 P3 P4 P7 P8 P93–2: MIDI 2 (MIDI Filter –2)3–2a: Enable JS X as AMS, Enable JS+Y, Enable JS–Y, Enable RibbonEnable JS X as AMS [

424–1: Key Z (Key Zone)These settings specify the keyboard range in which each timbre will sound.The top/bottom key parameters specify the range of no

43Combination P0 P1 P2 P3 P4 P7 P8 P94–2a: Top Velocity, Top Slope, Bottom Slope,Bottom VelocityTop Velocity [1…127]Specifies the maximum velocity valu

44These parameters specify how the arpeggiator will function within the combination. Two arpeggiators can run simulta-neously.This offers a variety of

45Combination P0 P1 P2 P3 P4 P7 P8 P9▼ 7–1: Page Menu Command7–1A: Copy ArpeggiatorThis command can copy arpeggiator settings from another location to

46You can also specify the bus routing for the program used by each timbre 1–8.☞ For details on insertion effects, refer to p.178 “8. Effect Guide.”8–

47Combination P0 P1 P2 P3 P4 P7 P8 P98–2: Insert FXHere you can select the type of each insert effect, turn it on/off, and make chain settings etc.8–2

48☞ For details on master effects, refer to p.182 “8. Effect Guide.”9–1: Master FXHere you can select the type of each master effect, turn it on/off,

ProgramCombinationSequencerSamplingSong PlayGlobalDiskEffectAppendicesvii4. Sampling mode . . . . . . . . . . .87Sampling P0: Recording ...

Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P9493. Sequencer modeIn Sequencer mode you can use the built-in 16-track sequencer to play, record, and edit song

50Changing the time signature in the middle of a songIf you know beforehand the location at which you wish to change time signatures in the middle of

51Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P9Reso (Realtime Quantize Resolution) [Hi, 3 …  ]This corrects the timing of data as it is recorded in realti

52When the page menu command “Solo Selected Track” (0–1B) is on, its Solo status will be given priority (if ON). When you press “SOLO ON/OFF” or the p

53Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P9For details on the content that will be corrected, refer to “If the recorded performance is not reproduced co

540–1H: Save Template Song(Save as User Template Song)This command saves the program selections, track parame-ters, and effect settings etc. of the cu

55Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P90–3: Mixer 1–8 (Mixer T01–08)0–4: Mixer 9–16 (Mixer T09–16)Here you can set the pan and volume of each track.

56Example) When “Play Intro” is checkedTrack 1 will loop as follows.M001–M002–M003–M004–M003–M004–M003–M004…When “Play Intro” is not checkedTrack 1 wi

57Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P92 In “Bank,” specify the bank of sample memory (RAM) into which sampling will be performed.3 In “Sample No.,”

58Auto Punch InSelect this method when you wish to automatically re-record selected portions of a previously-recorded track.If you select Auto Punch I

viiiSong Play P8: Insert Effect ... 131Specify the bus for the output of each track, and make insert effect settings.8–1: Rout

59Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P91–1: Cue ListThe cue list allows you to playback multiple songs in succes-sion. You can specify a number of r

60Song (Cue Edit - Song)[S000...S199: name/End, Continue to Step01]S000...S199: Specifies a song for each step. This cannot be edited during playback.E

61Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P91–1D: Convert to Song (Convert Cue List to Song)This command converts a cue list consisting of multiple songs

62numerous repeats have been specified, or if many pat-terns are used by the songs, you should try executing the “Convert to Song” command from time to

63Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P9MIDI Channel [01…16]Specifies the MIDI channel that the track will use to transmit and receive musical data. T

64▼ 2–5: Page Menu Command2–5A: Detune BPM AdjustWhen the program selected for a track uses a phrase, rhythm loop multisample (or sample that was crea

65Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P9Here you can select whether or not to apply filtering to the MIDI data received by tracks 1–16. For example ev

663–5(6)a: Enable Realtime Control Knob 1...4Enable Realtime Control Knob 1 [Off, On]Specifies whether or not the A-mode MIDI control message CC#74 (th

67Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P94–3: Vel Z 1–8 (Vel Zone T01–08)4–4: Vel Z 9–16 (Vel Zone T09–16)Here you can set the Top/Bottom Velocity par

685–1: Track EditHere you can make settings for the currently selected track, edit previously-recorded performance data, and perform step recording.Wh

ProgramCombinationSequencerSamplingSong PlayGlobalDiskEffectAppendicesix7. Disk mode . . . . . . . . . . . . . .155Files, directories, and icons...

69Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P9The following table shows the number of clocks repre-sented by each “Step Time” selection.5 In “Note Duration

70• Deleting an eventSelect the event that you wish to delete, and press the Cut button to delete the event.• Moving an eventYou can use the Cut butto

71Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P95 If you check “All Tracks,” the specified type of data will be erased from all tracks.6 To execute the Erase

725–1I: Repeat MeasureThis command repeatedly inserts the specified measures for the specified number of times. When you execute the Repeat Measure comm

73Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P95–1L: Create Ctrl Data (Create Control Data)This command gradually varies continuous-type data (e.g., control

74In “From Measure” and “To End of Measure,” specify the measures. In “Beat.Tick” specify the beat and clock. (By default, “From Measure” and “To End

75Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P95–1P: Modify VelocityThis command modifies the velocity values of notes in the specified area so that they will

76On the TRITON STUDIO you can use preset patterns P000–149, and user patterns U00–99. One song can contain up to one hundred user patterns. Preset pa

77Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P9▼ 6–1: Page Menu Command6–1A: Step Recording (Loop Type)Here you can perform step recording into a pattern.Th

784 In To: “Song” and “Pattern,” select the bounce destina-tion song and pattern. For “Pattern,” only user patterns U00–U99 can be specified.5 To execu

x022: St. Env. Flanger (Stereo Envelope Flanger)... 199023: Stereo Phaser...

79Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P96–3: RPPR SetupHere you can make settings for the RPPR (Realtime Pattern Play/Recording) function. RPPR lets

802 Set “KEY” to D2, and press the Revert button.The “Pattern (Pattern Bank),” “Pattern Select,” and “Track” settings that you specified in step 1 will

81Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P9Here you can specify how the arpeggiator will operate in Sequencer mode. These settings can be made for each

82• Alternatively, you could choose Track01 in “Track Select” to run arpeggiator A for tracks 1 and 2, and use an external MIDI device connected to th

83Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P97–5b: Scan Zone A/BA:Top Key [C–1...G9]Bottom Key [C–1...G9]Specify the range of notes (keys) that will trigg

84Send1 (MFX1) [000...127]Send2 (MFX2) [000...127]Here you can adjust the send levels from tracks 1–16 to mas-ter effects 1 and 2. This is valid when

85Sequencer P0 P1 P2 P3 P4 P5 P6 P7 P8 P98–4: IFX 18–5: IFX 28–6: IFX 38–7: IFX 48–8: IFX 5Set the parameters for the effects selected for IFX 1–5 in

869–2: MFX 19–3: MFX 2Here you can set the parameters of the MFX 1 and 2 effects that were selected in the Master FX page (☞p.187–).9–2(3)a: Ctrl ChCt

Sampling P0 P1 P2 P3 P4 P5 P8874. Sampling modeAn overview of sampling on the TRITON STUDIOOn the TRITON STUDIO, 48 kHz stereo 16-bit samples from an

88Regardless of the page you are in, the selected multi-sample or sample will sound when you play the key-board, allowing you to hear the edited conte